Chen Hongmou (1696-1771) was arguably the most influential Chinese official of the eighteenth century and unquestionably its most celebrated field administrator. He served as governor-general, governor, or in lesser provincial-level posts in more than a dozen provinces, achieving after his death cult status as a “model official.” In this magisterial study, the author draws on C...(展开全部)

Chen Hongmou (1696-1771) was arguably the most influential Chinese official of the eighteenth century and unquestionably its most celebrated field administrator. He served as governor-general, governor, or in lesser provincial-level posts in more than a dozen provinces, achieving after his death cult status as a “model official.” In this magisterial study, the author draws on C...(展开全部)

Chen Hongmou (1696-1771) was arguably the most influential Chinese official of the eighteenth century and unquestionably its most celebrated field administrator. He served as governor-general, governor, or in lesser provincial-level posts in more than a dozen provinces, achieving after his death cult status as a “model official.” In this magisterial study, the author draws on C...(展开全部)

魏丕信（Pierre-Etienne Will），生于1944年，法国著名汉学家。早年攻读欧洲古典文学（拉丁、希腊、法国）和中文，1975年获巴黎大学博士学位，1969年入法国国家高等社会科学研究院任教至今，1991年当选法兰西学院院士。研究范围遍及人口史、灾害史、水利史、荒政史、明清国家与经济的关系、明清官僚制度等，有专著2部及论文50余篇，成就卓著，在国际学界享有盛誉。

喜仁龙（Osvald Sirén，1879—1966）：20世纪西方极为重要的中国美术史专家，首届查尔斯·兰·弗利尔奖章获得者。曾担任瑞典斯德哥尔摩大学艺术史教授、瑞典国家博物馆绘画与雕塑部管理员等职。1916年起，先后赴美国耶鲁大学、哈佛大学和日本的诸多名校讲学。1920年起六次来华，曾在末代皇帝溥仪陪同下拍摄故宫，对中国古代建筑、雕塑、绘画艺术研究极深，代表作有《北京的城墙和城门》（1924）、《中国雕塑》（1925）、《中国北京皇城写真全图》（1926）、《中国早期艺术史》（1929）、《中国绘画史》（1929—1930）、《中国园林》（1949）等。 赵省伟：“西洋镜”“东洋镜”“遗失在西方的中国史”系列丛书主编。厦门大学历史系毕业，自2011年起专注于中国历史影像的收藏和出版，藏有海量中国主题的法国、德国报纸和书籍。 陈昕：南昌师范学院外国...(展开全部)

韩书瑞，美国著名汉学家、耶鲁大学历史系教授、费正清主编的《剑桥中国史》主要作者之一，独著有《千禧年之乱》、《山东叛乱》、《北京的宗教》、《中国大众宗教》等10余部。 罗友枝（Evelyn Rawski，罗斯基），美国匹兹堡大学中国史教授。

During the eighteenth century, China's new Manchu rulers consolidated their control of the largest empire China had ever known. In this book Susan Naquin and Evelyn S. Rawski draw on the most recent research to provide a unique overview and reevaluation of the social history of China during this period--one of the most dynamic periods in China's early modern era. "A lucid, orig...(展开全部)

The first sustained study of the vibrant links between domestic craft and British colonialism In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells...(展开全部)

The first sustained study of the vibrant links between domestic craft and British colonialism In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells...(展开全部)

In 1771 the artist Luo Ping (1733–99) left his native Yangzhou to relocate to the burgeoning hub of Beijing’s Southern City. Over two decades, he became the favored artist of a cosmopolitan community of scholars and officials who were at the forefront of the cultural life of the Qing-dynasty (1644–1911). From his spectacular ghost paintings to his later work exploring the city’...(展开全部)